PROGRAMS
2020 july
Event Details
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Event Details
Közreműködnek:
| organ |
| András Virágh |
| violoncello |
| Krisztina Koloss |
Műsor:
| J. S. Bach: | Toccata and Fugue in D Minor |
| J. S. Bach: | Air |
| Liszt Ferenc: | Hosannah |
| W. A. Mozart: | Ave verum |
| T. Albinoni: | Adagio |
| Rachmaninoff: | Vocalise |
| Charpentier: | Te Deum |
| Ch. Gounod: | Ave Maria |
| Ch-M. Widor: | Toccata from 5th Organ Symphonie |
Ch. Gounod: Ave Maria – the meeting of two era
Who wouldn’t recognize Gounod’s Ave Maria from the first sounds? The piece originally was composed for singer’s voice and obligato has become world famous classical music hit in numerous adaptations. The circumstances of its creating are less known. It is a result of two big eras and two grand composers fruitful meeting: the softly swaying roulades of the baroque Preludium in C-Major from Bach inspired the romantic opera composer, Ch. Gounod, to dream the soft tunes of Ave Maria. The divining work of the mutual creation is age- and timeless, just like mankind’s veneration towards Virgin Mary.
Event Details
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Event Details
Közreműködnek:
| organ |
| András Virágh |
| soprano |
| Ildikó Szakács |
Műsor:
| T. Albinoni: | Adagio |
| W. A. Mozart: | Alleluja |
| J. S. Bach: | Prelude and Fugue in C Major |
| G. Bizet: | Agnus Dei |
| J. S. Bach: | Air |
| Liszt Ferenc: | Choral |
| F. Schubert: | Ave Maria |
| J. S. Bach: | Toccata and Fugue in D Minor |
J. S. Bach: Toccata and Fugue in D Minor BWV. 565
The most famous organ work in the world is known by everyone, however, its creation is surrounded by mystery…
According to a significant amount of the proofs it was created at the beginning of the 1700’s, although the perfectionist structure of the piece suggests that Bach created it in his last years, moreover, some tells that he composed it originally for violin and not the organ.
The first printed publishing took almost 100 years, when the great Bach fan, Felix Mendelssohn-Bartholdy published and played continuously the work. Since then, endless versions and adaptations have been created, the worthily famous Toccata and Fugue in d-minor can be heard in movies, it is a beloved theme mostly in horror and thriller movies.
Event Details
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Event Details
Közreműködnek:
| organ |
| András Virágh |
| mezzo-soprano |
| Zsuzsanna Gion |
Műsor:
| T. Albinoni: | Adagio |
| J. S. Bach: | „Bist du bei mir” Aria |
| J. S. Bach: | Fugue in E-flat Major „Holy Trinity” |
| G. Puccini: | Salve regina |
| C. Franck: | Piéce heroique |
| Ch. Gounod: | Ave Maria |
| J. S. Bach: | Toccata and Fugue in D Minor |
J. S. Bach: Fugue in E-flat Major „Trinity” BWV. 552
One of the meridians of Bach’s organ art is the Fugue in E-flat Major. Music studies apostrophe as the Trinity Fugue, because the piece is a composition of three individual fugues which represents the ternal unity of the Father-Son-Holy Spirit. The first fugue evokes the majestic calmness of the creating Father. The second theme’s fast pace music material releases Son’s young and fresh energies, which is followed by the Holy Spirit Fugue. Its independent fugue theme visions the flaming fire of the Holy Spirit and quotes the former two themes as well as it is evolving. On the highest peak of the emotionally exacerbated ternal fugue sounds the theme represents the Father’s personality, and its apotheosis closes this special composition.
