Programs

J. S. Bach: Fugue in E-flat Major „Trinity” BWV. 552

One of the meridians of Bach’s organ art is the Fugue in E-flat Major. Music studies apostrophe as the Trinity Fugue, because the piece is a composition of three individual fugues which represents the ternal unity of the Father-Son-Holy Spirit. The first fugue evokes the majestic calmness of the creating Father. The second theme’s fast pace music material releases Son’s young and fresh energies, which is followed by the Holy Spirit Fugue. Its independent fugue theme visions the flaming fire of the Holy Spirit and quotes the former two themes as well as it is evolving. On the highest peak of the emotionally exacerbated ternal fugue sounds the theme represents the Father’s personality, and its apotheosis closes this special composition.

G. F. Händel: Water Music

When George the 1st organized celebration on the Thames, he asked Händel to compose the festive music. There was 50 musician playing on the boat trip, and the king liked so much the performance, as they had to present it three more times for his favor. All instruments of the baroque orchestra were sounded in the piece, except cembalo, because it would have been complicated to take one on the boat.

In our concerts, this famous composition can be heard in trumpet and organ variation.

J. S. Bach: Toccata and Fugue in D Minor BWV. 565

The most famous organ work in the world is known by everyone, however, its creation is surrounded by mystery…

According to a significant amount of the proofs it was created at the beginning of the 1700’s, although the perfectionist structure of the piece suggests that Bach created it in his last years, moreover, some tells that he composed it originally for violin and not the organ.

The first printed publishing took almost 100 years, when the great Bach fan, Felix Mendelssohn-Bartholdy published and played continuously the work. Since then, endless versions and adaptations have been created, the worthily famous Toccata and Fugue in d-minor can be heard in movies, it is a beloved theme mostly in horror and thriller movies.

Ch. Gounod: Ave Maria – the meeting of two era

Who wouldn’t recognize Gounod’s Ave Maria from the first sounds? The piece originally was composed for singer’s voice and obligato has become world famous classical music hit in numerous adaptations. The circumstances of its creating are less known. It is a result of two big eras and two grand composers fruitful meeting: the softly swaying roulades of the baroque Preludium in C-Major from Bach inspired the romantic opera composer, Ch. Gounod, to dream the soft tunes of Ave Maria. The divining work of the mutual creation is age- and timeless, just like mankind’s veneration towards Virgin Mary.